Paul Thomas Anderson’s frantic One Battle After Another is a storm warning for a fascist America and both a lament and a ...

The 16-minute album opener “Between the Fingers the Drops of Tomorrow's Dawn” coalesces at the 12-minute point, when clattering percussion meshes with what sounds like a sitar to fashion a hypnotic, ...

In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of KC and the Sunshine Band’s bangers. They’ve filled dancefloors for ...

Comedy is strange old thing; it’s supposed to be funny ha-ha, but the laughs can often come from a dark place, as evidenced by Nick Helm’s latest show (which I saw at the Arts Depot in London). His ...

Over the past decade, Manchester Camerata has gained a reputation for continually innovating and redefining what an orchestra can do. But what does this really mean? For us, this means always ...

This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the Royal ...

They say no good deed goes unpunished, so when New York restaurateur Jake Friedken (Jude Law) allowed his wayward and ...

When you go to the prince’s ball, would you prefer a night of sobriety or excess? Julia Burbach’s new production of Rossini’s ...

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see ...

In the age of streaming, it’s never been less clear knowing when you can safely say an artist is well known in the mainstr ...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking ...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t).