Carolin Kralapp reviews the exhibition ‘Balkan Erotic Epic’ by Marina Abramović at Gropius Bau, as part of the featured topic ...

Carolina Sculti interviews Adam Pendleton about his solo exhibition ‘Can I Be?’ currently on view at The Langen Foundation ...

Berlin Art Link speaks with artist Simon Mullan about his upcoming event at Studio IIII, where he will show the video ...

For its 22nd edition this year, Gallery Weekend Berlin will see 50 participating galleries open their doors to the public and ...

Minor keys “come alive in the quiet tones, the lower frequencies, the hums, the consolations of poetry.” This year’s 61st ...

Alison Hugill interviews Dafna Maimon about her practice and its relationship to the featured topic, Abjection ...

Diriyah Art Futures (DAF), the MENA region’s first new media and digital arts hub, is now accepting applications for the third cycle of its Emerging New Media Artists program…[read on] ...

This article is part of our feature topic Legality. On a small, princess-pink television on the fifth floor of the WIELS Contemporary Art Centre in Brussels, an animated bear smokes a blunt as a ...

Canadian artist Char Davies pioneered the genre now known as immersive virtual reality (VR) in the 1990s. Davies built the famous ‘Osmose’ (1995), a fully immersive artwork that changed the role of ...

Ludwig Wittgenstein used the rabbit-duck illusion to observe the interdependent relationship between perception (what is seen immediately) and interpretation (what is seen when one is aware of the ...

When the world begins to change in ways that seem difficult to stomach, we tend to step towards the past, looking for sympathy but finding empathy. In the upcoming exhibition, ‘QUEER ART IN THE GDR?

Sound as haptic, spatial and architectural experience remained in the spotlight this year at MaerzMusik, but the promising interplay between different senses was a case of practice falling short of ...