Every artist confronts her past, and, in the case of the Indian dancer Bijayini Satpathy, that past is both a country and a colonial legacy. Satpathy performs Odissi, a dance style from the eastern ...
India’s classical dance traditions reflect centuries of storytelling, devotion, and cultural evolution. Among the eight ...
Performances in N.Y.C. Advertisement Supported by The choreographer Akram Khan’s “Gigenis,” based loosely on a character in the Mahabharata, represents a kind of homecoming for him. By Marina Harss A ...
Performances in N.Y.C. Advertisement Supported by By Vijai Singh PISCATAWAY, N.J. — After four hours of dancers’ adjusting formations, correcting hand gestures and coordinating facial expressions, ...
A historic cultural milestone was achieved in Colombo today as more than 5,000 Bharatanatyam dancers performed together, ...
Recently, at the Joyce Theatre, I attended a war. The war was a dance, “Gigenis: The Generation of the Earth,” directed by the British dancer and choreographer Akram Khan, loosely inspired by the ...
But rewind two decades back, when the internet was still in its infancy and not as widely accessible, and most knowledge existed in physical formats such as books, letters or word of mouth. At the ...
Delhi is all set to turn the spotlight on Indian classical dance with the Festival of New Choreographies — KalaYatra 2026, a five-day event curated by Padma Vibhushan awardee Sonal Mansingh. The ...
India's classical dance traditions reflect centuries of cultural evolution, storytelling, devotion and artistic expression ...